Ken Wiley Collection LLC
Charlie Mingus – Pre-Bird
Charlie Mingus – Pre-Bird
Couldn't load pickup availability
Label: Mercury – SR 60627
Format: Vinyl, LP, Album, Stereo
Country: US
Released: Sep 1961
Genre: Jazz
Style: Post Bop
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Wear around corners.
Matrix Runout
Matrix / Runout (Side 1, stamped): SR 60627-A-MS1
Matrix / Runout (Side 2, stamped): SR 60627-B-MS1
Tracklist
| A1 | Take The "A" Train | 3:34 | |
| A2 | Prayer For Passive Resistance | 3:49 | |
| A3 | Eclipse | 3:45 | |
| A4 | Mingus Fingus No. 2 | 3:22 | |
| A5 | Weird Nightmare | 3:35 | |
| B1 | Do Nothin' Till You Hear From Me | 3:33 | |
| B2 | Bemoanable Lady | 4:22 | |
| B3 | Half-Mast Inhibition | 8:12 |
Credits
Alto Saxophone – Eric Dolphy, John LaPorta (tracks: A4, B2, B3)
Baritone Saxophone – Danny Bank (tracks: A4, B2, B3)
Bass – Charles Mingus
Cello – Charles McCracken (tracks: A4, B2, B3)
Conductor – Gunther Schuller (tracks: B3)
Drums – Dannie Richmond (tracks: A1 to A4, B1 to B3)
Flute – Robert DiDomenica (tracks: A4, B2, B3)
Liner Notes – Martin Williams
Oboe – Harry Schulman (tracks: A4, B2, B3)
Percussion – George Scott (tracks: A4, B2, B3), Sticks Evans (tracks: A4, B2, B3)
Piano – Paul Bley (tracks: A1, A3, A5), Sir Roland Hanna (tracks: A4, B1 to B3)
Producer – Leonard Feather
Tenor Saxophone – Bill Barron (tracks: A4, B2, B3), Booker Ervin (tracks: A1 to A3, A5, B1), Joe Farrell, Yusef Lateef
Trombone – Charles Greenlee (tracks: A4, B2, B3), Eddie Bert (tracks: A4, B2, B3), Jimmy Knepper, Slide Hampton (tracks: A4, B2, B3)
Trumpet – Clark Terry (tracks: A4, B2, B3), Hobart Dotson (tracks: A4, B2, B3), Marcus Belgrave (tracks: A4, B2, B3), Richard Williams (tracks: A4, B2, B3)
Tuba – Don Butterfield (tracks: A4, B2, B3)
Vocals – Lorraine Cusson* (tracks: A3, A5)
Other Notes
Recorded May 24, 1960 were tracks A4, B2 & B3. Recorded May 25 1960 were tracks A1, A2, A3, A5, & B1.
"Take the "A" Train" interpolates "Exactly Like You" (Jimmy McHugh-Dorothy Fields).
"Do Nothin' Till You Hear From Me" interpolates "I Let A Song Go Out Of My Heart" (Duke Ellington-Henry Nemo-John Redmond).
Both sessions were recorded in New York City on Ampex tape recorders at 15 inches per second.
Front cover of sleeve is laminated.
Share
